On May 13th, a medium-sized brown box filled with zines, (“individualized booklets [that are] self-produced and anti-corporate”) (Piepmeier 2), was received by a UPS facility in Warsaw, Poland. The box was packaged carefully, wrapped in layers of clear tape to prevent any wear and tear on its journey which took less than a week to arrive at its destination. The package migrated across several national and city boundaries before arriving in Kelowna and was delivered into the hands of the team at ReMedia Infrastructure at UBC Okanagan.
ReMedia Blog
Teaching With Digital Storytelling
On Wednesday, February 11th, ReMedia PI Dr. Emily Christina Murphy will present insights from her forthcoming collection, EnTwine: A Critical and Creative Companion to Teaching with Twine, co-edited with Dr. Lai-Tze Fan. Dr. Murphy will explore how Twine supports inclusive, creative teaching and scholarship in conversation with Arun Jacob (PhD Candidate, Faculty of Information), who […]
IA1 Showcase Reflection
Last month, I had the wonderful opportunity to attend and present at IA1 Launch party and showcase. It was a chance for humanities researchers and students to come together and share their work with each other and other attendees. My ReMedia labmate, Odessy Liu, and I did poster presentations (which you can see in a […]
REBLOG: Dr. Murphy joins CDHI at the University of Toronto!
ReMedia PI, Dr. Emily Christina Murphy has joined the University of Toronto’s Critical Digital Humanities Initiative as their first Scholar in Residence (2024-25). Learn more about the work she’ll complete during her residency here: https://dhn.utoronto.ca/cdhi-welcomes-visiting-scholar-in-residence-dr-emily-murphy
ReMedia students present research at IA1 launch
On September 25th, students Odessy Liu and Rowan Pickard presented research posters on ReMedia projects at the IA1 launch party and research showcase. Odessy Liu reported on data scraping and preliminary analyses for the SSHRC-funded Modernist Remediations project that will contribute to a chapter in Dr. Murphy’s in-progress book, Iconic Biography. Liu and Murphy will […]
IA1 Research Space Launch Party
Join us for the launch of the FCCS research spaces in Innovation Annex 1!
REBLOG: Mind the Gap, It’s There on Purpose: The Exclusion of Sound & Oral Histories in Western Academia
This post is reblogged from the AMP Lab blog. Find the original here. This post is the third and final in a series of blog posts has been written in reflection to the summer 2022 URA project The Pocket Desert annotations created using AudiAnnotate. Rowan’s project was funded by the Faculty of Creative and Critical Studies Undergraduate […]
REBLOG: Hearing the Okanagan: A Closer Look at The Pocket Desert Radio Documentary
This post is reblogged from the AMP Lab blog. Find the original here. This post is the second of a three-part series about the importance and relevance of oral histories and audio recordings based on research conducted on The Pocket Desert radio documentary. The research was funded by a Faculty of Creative and Critical Studies Undergraduate […]
REBLOG: Transcending Time: The Significance of Sound & Audio Archives in the Okanagan
This post is reblogged from the AMP Lab blog. Find the original here. This post is the first of a three-part series about the importance and relevance of oral histories and audio recordings based on research conducted on The Pocket Desert radio documentary. This research was funded by a Faculty of Creative and Critical Studies Undergraduate Research Award […]
High, Middle, and Low Brows in Graphic Biographies, Part 2
Undergraduate student assistant Julie Carr wrote this post as part of her work gathering titles of graphic biographies for the Modernist Remediations project. You can read Part 1 of this post here. In the last post, I discussed insights from the “brows” or constructed markets that graphic biographies from different publishers fall into. In this […]